Pom Pom Squad set The Social in Orlando, FL ablaze on March 31st with their signature blend of raw emotion and theatrical energy, delivering a performance that was as intimate as it was electrifying.
Touring in support of their latest album, Mirror Starts Moving Without Me, Mia Berrin and her band took the crowd on a journey through a carefully crafted setlist, seamlessly blending punk-fueled anthems with quieter, introspective moments.
The night kicked off with a moody piano intro, setting a haunting tone before launching into “Downhill.” Berrin’s voice carried the weight of the song’s self-reflective lyrics, pulling the audience into her world.
As the band transitioned into “Spinning,” the heartbeat-like rhythm intensified the song’s dizzying, disoriented energy, and from that moment on, the crowd was locked in. Songs like “Villain” and “Shame Reactions” highlighted Berrin’s ability to shift effortlessly between vulnerability and aggression, her presence utterly magnetic.
Midway through the set, the band surprised fans with a stirring cover of “Crimson and Clover,” offering a brief moment of tenderness before launching into the powerhouse duo of “Forever/Be Good.”
Then came a heartfelt interaction that made the night even more special—Berrin introduced her mother as a special guest. “She’s the coolest person I know,” Berrin said, before handing her the mic for some words of wisdom. “If they ain’t paying your bills, pay them bitches no mind,” she declared, referencing the spoken intro of Street Fighter. The crowd erupted in cheers, and Berrin, now wielding silver pom poms, launched into a blistering rendition of the track, channeling pure, defiant energy.
The show continued to weave through emotional highs and lows. “Montauk” captured the aching loneliness of unmet expectations, while “Running From Myself” and “Second That” reignited the room with driving, high-energy instrumentation. As the band shifted gears for the final stretch, songs like “Honeysuckle” and the gut-wrenching “Drunk Voicemail” brought a new layer of intensity.
The concert reached its cinematic peak with “Doll Song” and “Messages,” setting the stage for a striking finale. As the opening verse of “The Tower” echoed through the venue, Berrin held up a handheld mirror, gazing at her reflection before pressing it to her chest—a moment of quiet self-reckoning. The song built into a towering climax, and as it ended, she once again looked at her reflection before planting a kiss on the glass—a powerful, intimate closing statement.
Pom Pom Squad’s performance was more than just a concert; it was a fully realized narrative, bringing the themes of Mirror Starts Moving Without Me to life. With Berrin’s captivating stage presence, the band’s razor-sharp instrumentation, and the deeply emotional weight behind each song, the night felt both cathartic and celebratory. Orlando got a glimpse into the house of mirrors that is Pom Pom Squad’s world, and as the crowd spilled into the streets, they were still spinning.
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